Our Timeline

2024

Real Rooms

A distant installation view showing two adjacent recreated domestic scenes under an industrial gallery roof. On the left is A Terraced House in 1978, with mustard yellow wallpaper, red patterened carpet, and various decors on the wall and cabinet. On the right is a glimpse of the entry to A High-rise Flat in 2005 with a white wall with multiple doorbells. A large black-and-white portrait of a person in a wheelchair is mounted on the adjacent brick wall.

In 2024 we opened seven new period rooms reflecting the stories of our East London community—past, present and future. We co-curated the galleries with our community partners to centre lived experiences and introduce a more diverse array of narratives to our renowned Rooms Through Time.

2020s

A new museum

A display featuring cabinets, emerald glassware in display cases, interactive screens and informational plaques

We reopened in 2021, remaining free to visit. New galleries and learning spaces, an entrance hub, and a collections library and study room added 80 per cent more exhibition space for our collections and 50 per cent more public space. 

2010s

A new name

A street-level view of the Museum of the Home entrance: a long dark metal fence topped by bright orange capital letters spelling “Museum of the Home” lines a paved pedestrian alley. Behind it, a row of moss-topped brick almshouses with chimneys stretches beneath bare winter trees, while a handful of pedestrians stroll along the path.

To reflect the museum’s focus on home and home life, the museum became the Geffrye Museum of the Home in 2011. The museum closed in 2018 for an extensive rebuilding project and was renamed Museum of the Home in 2019 with a mission to reveal and rethink the ways we live, in order to live better together.

1990s

A new wing

Wooden garden bench surrounded by lush greenery, red spiky flowers, and purple blooms in a cottage garden setting

An extra wing was added with 20th century period rooms and spaces for learning and exhibitions in 1998. The herb garden and the Gardens Through Time were opened to the public in the late 1990s. One of the 14 almshouses was restored to show the living conditions of former residents in the 1780s and 1880s.

1930s

History of domestic life

A black and white image of a compact 1950s council flat living room: a patterned rug covers the floor, an upholstered armchair with cushions sits beside a low sideboard, and a small square table set for tea—with cups, saucers, and a teapot— with two wooden chairs. Built-in shelving and a storage cupboard on the back wall holds various small objects.

In the mid-1930s the focus shifted to a younger audience, particularly school children.

 

Molly Harrison, an educational pioneer, developed the museum’s learning services. She led the way in the UK in making museums centres for learning and education.

 

Marjorie Quennell, the museum curator, created a chronological run of living room displays. These were a unique resource for learning about the history of domestic life and everyday things.

1914

Furniture first

A light-wood lounge chair with a wide gently scooped seat supported on four splayed legs and stretchers. Its backrest is formed by a tall curved hoop frame with evenly spaced vertical spindles, and its thin, angled arm rests extend outward from the top of two front spindles.

When the Museum opened in 1914, it was a museum of furniture and woodwork. It was a resource for the many local people who worked in the East End furniture industry.

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An almshouse room with wide floorboards and simple furnishings: on the left is a wooden table set with a plate and knife; in the centre is a white‐painted fireplace with iron fire tools and a mantel shelf displaying three plates a single candle in a glass bottle; and on the right is plain single bed draped in a red blanket sits beside a ladder‐back chair.

Life in the almshouses

Our almshouses once housed 50 pensioners as well as staff.

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Life in the almshouses
A symmetrical red-brick almshouse framed by the canopy of mature plane trees. At its centre is a pedimented entrance with a black door flanked by tall arched windows; above the doorway, a niche houses a statue of Robert Geffrye, and a clock adorns the triangular pediment above that. Ivy climbs the façades of the both wings of the building, while dappled sunlight patterns the gravel path and manicured lawn in the foreground.

Geffrye, his statue and its future

We are listening to views and considering options concerning the display of Robert Geffrye’s statue.

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Geffrye, his statue and its future
Visitors exploring a recreated home interior, with adults and children examining the kitchen and living room display.

Our work

We explore diverse experiences of home across time through our galleries and programming.

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Our work
A blurred figure walks across a room in front of weathered looking panels and windows showing a model of a city.

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